.png)
Robert Wun Spring/Summer 2026 Couture: Drama, Survival, and the Courage to Create
- Qui Joacin
- 4 days ago
- 2 min read
At the Théâtre du Lido, Robert Wun turned haute couture into a question — and a form of resistance
Robert Wun Spring/Summer 2026 Couture Asked the Question No One Else Dared
Sitting in the velvet-red seats of the Théâtre du Lido, you could feel it before the first look even appeared: this wasn’t going to be couture as escapism.
This was couture as confrontation.
For Robert Wun’s Spring/Summer 2026 collection — his fourth couture outing on the official Paris Fashion Week calendar — the London-based, Chinese designer asked something bigger than silhouettes or embellishment:
What does luxury mean when the world feels like it’s unraveling?
A Show in Three Acts — and One Big Idea
Titled “Valor: The Desire to Create, and the Courage to Carry On,” the collection unfolded like a slow, emotional theater piece.
Act One: the blank page — the fragile beginning of any creative dream
Act Two: doubt — questioning whether beauty, craft, and excess still matter
Act Three: clarity — creation not as indulgence, but as survival
Models moved deliberately, almost eerily calm, pausing as skies shifted behind them on massive screens — from clear blue to
storm-dark gray. It felt less like a runway and more like a meditation on endurance.
The Silhouettes: Armor, Illusion, and Power
Visually, Robert Wun Spring/Summer 2026 Couture stayed true to his unmistakable language.
Think:
Exaggerated hips and shoulders that read as both protection and presence
A tightly controlled palette of black, white, and blood red
Trompe-l’oeil breastplates that seemed to hover over the body, sculpting curves while questioning what’s real
These weren’t just clothes — they were emotional armor.
There were echoes of past collections too:frayed pleats cascading like unraveling thoughts, butterflies resting delicately on crinolines, sculptural hats that felt half-dream, half-warning.
Craft as Quiet Defiance
Up close, the craftsmanship was staggering — couture at its most obsessive.
One red dress shimmered and trembled with movement, taking months to complete. Another look layered illusion over structure so seamlessly it blurred where body ended and garment began.
And then came the finale.
Out of the darkness emerged a voluminous gown, drenched in countless gemstones, radiating light like a final act of hope. Not loud. Not flashy. Just undeniably powerful.
Why This Show Mattered
In a season where many couture houses leaned into fantasy for fantasy’s sake, Robert Wun chose reflection.
Robert Wun Spring/Summer 2026 Couture didn’t pretend everything is fine. It acknowledged the fractures — and still insisted on beauty.
That, in itself, felt radical.
Final Thoughts
This wasn’t couture meant to distract you from reality.It was couture that stood inside it — steady, elegant, and unflinching.
And honestly? That courage might be the most luxurious thing of all.