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Dress Like a Byzantine Empress: How Byzantine Art Took Over Fashion Collections

  • Writer: Qui Joacin
    Qui Joacin
  • 3 days ago
  • 4 min read

Dolce & Gabbana, FW 2013 RTW collection, backstage photo. Detail from Dolce&Gabbana official Twitter profile.
Dolce & Gabbana, FW 2013 RTW collection, backstage photo. Detail from Dolce&Gabbana official Twitter profile.

From Coco Chanel to Dolce & Gabbana, here’s how Byzantine art keeps inspiring fashion’s most over-the-top, regal moments.


Why Byzantine Art Fashion Feels So Powerful

Let’s be honest — if you’re going to dress like royalty, you might as well go full Byzantine empress. When we talk about Byzantine art fashion, we’re really talking about drama, symbolism, gold, gemstones, and that unmistakable feeling of power stitched into every seam.


This obsession didn’t come out of nowhere. It actually traces back to Empress Theodora, the most iconic fashion figure of the Byzantine Empire, and one very important piece of jewelry owned by Coco Chanel: the legendary Ravenna cuff from the 1930s. That moment quietly opened the floodgates for Byzantine mosaics, religious symbolism, and imperial silhouettes to enter modern fashion.


And once designers got a taste of that level of opulence? There was no turning back.


Coco Chanel: The Original Byzantine Muse

Left: Coco Chanel wearing a cuff bracelet designed by Fulco di Verdura. Photo by Lipnitzki/Roger Viollet; Right: Fulco di Verdura, a silver, enamel, and simulated gemstone bracelet, private collection. Christie’s.
Left: Coco Chanel wearing a cuff bracelet designed by Fulco di Verdura. Photo by Lipnitzki/Roger Viollet; Right: Fulco di Verdura, a silver, enamel, and simulated gemstone bracelet, private collection. Christie’s.

Before runway shows went full maximalist, Coco Chanel was already experimenting with Byzantine influence — especially through jewelry.


Working with Fulco di Verdura, Chanel commissioned cuffs, brooches, and crosses inspired by the glittering mosaics of San Vitale in Ravenna. These weren’t subtle pieces. They were bold, enamel-heavy, gem-studded statements that echoed imperial Byzantine ornamentation.


What made it genius was contrast: Chanel paired this ancient grandeur with modern, pared-down silhouettes. That balance became the blueprint for Byzantine art fashion moving forward.


Alexander McQueen: Medieval Drama Meets Couture


Alexander McQueen, Fall 2010 RTW collection. Photos by Christopher Moore.
Alexander McQueen, Fall 2010 RTW collection. Photos by Christopher Moore.

Alexander McQueen’s Fall 2010 Ready-to-Wear collection was one of the most hauntingly beautiful examples of Byzantine art fashion on the runway.


Inspired by the Middle Ages, McQueen sent out gowns drenched in gold embroidery, jewel-like detailing, and floor-length capes reminiscent of the paludamentum, the ceremonial cloak worn by Byzantine rulers. These looks didn’t just reference history — they felt ceremonial, almost sacred.


Knowing this was McQueen’s final collection makes it even more powerful. The garments felt like relics from a lost empire, designed for modern empresses who weren’t afraid of intensity.


Chanel’s “Paris-Byzance”: When Coco Became Theodora


Chanel, Pre-Fall 2011 collection. Chanel’s website.
Chanel, Pre-Fall 2011 collection. Chanel’s website.

Fast-forward to Pre-Fall 2011, and Karl Lagerfeld fully embraced Byzantine art fashion with Chanel’s Paris-Byzance collection.

“Coco Chanel is the new Theodora,” Lagerfeld famously said — and honestly, he wasn’t wrong.


The collection featured:

  • Deep jewel tones (purple, black, gold)

  • Mosaic-style embroidery

  • Heavy gem embellishment

  • Tiara-like headpieces and regal hair styling


The silhouettes referenced Byzantine empresses Irene and Theodora, while still feeling unmistakably Chanel. It was rich, theatrical, and unapologetically luxurious — a love letter to Byzantine splendor filtered through Parisian chic.


Dolce & Gabbana: Peak Byzantine Fantasy

From right to left: Dolce & Gabbana, Fall/Winter 2013 RTW collection. Photos by Filippo Fior; Monreale Cathedral’s mosaic representing Wilhelm II offering the Virgin Mary the model of the church. Web Gallery of Art. Detail.
From right to left: Dolce & Gabbana, Fall/Winter 2013 RTW collection. Photos by Filippo Fior; Monreale Cathedral’s mosaic representing Wilhelm II offering the Virgin Mary the model of the church. Web Gallery of Art. Detail.

If we’re crowning one runway moment as the ultimate Byzantine art fashion spectacle, it’s Dolce & Gabbana Fall/Winter 2013 — no contest.


Dolce & Gabbana, Fall/Winter 2013 RTW collection. Photos by Filippo Fior.
Dolce & Gabbana, Fall/Winter 2013 RTW collection. Photos by Filippo Fior.

Dolce & Gabbana, Fall/Winter 2013 RTW collection. Photos by Filippo Fior.
Dolce & Gabbana, Fall/Winter 2013 RTW collection. Photos by Filippo Fior.

Designers Domenico Dolce and Stefano Gabbana went straight to the source, using actual mosaics from Sicily’s Monreale Cathedral as prints and embroideries. Think angels, saints, gold tesserae, and sacred iconography transformed into wearable art.

The collection featured:

  • Crown headpieces

  • Cross earrings and pendants

  • Gem-encrusted corsets

  • Mosaic-printed dresses and handbags

  • Shoes that looked like relics


This wasn’t subtle inspiration — it was full immersion. Head to toe. From the clothes to the accessories, Dolce & Gabbana delivered a runway that felt like stepping into a Byzantine cathedral… with heels.


Valentino: Softening Byzantine Grandeur


Valentino, Spring 2016 Couture collection. Photos by Yannis Vlamos.
Valentino, Spring 2016 Couture collection. Photos by Yannis Vlamos.

Valentino’s Spring 2016 Couture collection offered a more romantic, ethereal take on Byzantine art fashion.


Designers Maria Grazia Chiuri and Pierpaolo Piccioli drew inspiration from Mariano Fortuny, whose early-20th-century gowns reimagined ancient Greek and Byzantine silhouettes. Flowing velvet, sheer layers, long capes, and delicate gold embellishments created looks that felt regal without being rigid.


This was Byzantine influence through a softer lens — less armor, more poetry. Still powerful, just quieter.


Jewelry: Where Byzantine Influence Never Left

Verdura, Byzantine collection jewelry. Brand’s website.
Verdura, Byzantine collection jewelry. Brand’s website.

While fashion cycles come and go, Byzantine influence has never left jewelry.


Verdura’s Byzantine collection — inspired by Ravenna mosaics — set the standard with crosses, enamel work, cabochon stones, and bold color contrasts. Today, those same motifs live on at:

  • Verdura

  • Yves Saint Laurent

  • Givenchy

  • Dolce & Gabbana

  • Valentino


Byzantine art fashion thrives in jewelry because it was always about symbolism, craftsmanship, and storytelling — qualities that never go out of style.


Why Designers Keep Coming Back to Byzantine Art Fashion

Because it offers something fashion is always chasing:

  • Power

  • Drama

  • Meaning

  • Visual impact


Byzantine art fashion isn’t minimalist. It doesn’t whisper. It commands attention — and in an era where fashion is about identity and storytelling, that kind of presence is irresistible.


So yes, if you’ve ever wanted to dress like an empress, history says: go for it.

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